About Indie Lens Pop-Up
Indie Lens Pop-Up is a neighborhood series that brings people together for film screenings and community-driven conversations. Featuring documentaries seen on PBS's Independent Lens, Indie Lens Pop-Up draws local residents, leaders and organizations to discuss what matters most, from newsworthy topics and social issues, to family and community relationships.
In the coming year, you can find us online—we'll be hosting digital-only screenings and virtual events. Make friends, share stories, and join us!
Eddie Canales runs the South Texas Human Rights Center, but the messages that strangers leave on Eddie’s phone speak to his unofficial role as a private detective. In a rural community where more migrants go missing than anywhere else in the United States, families of lost loved ones call for help. Omar and Michelle reach out for help finding Omar’s brother Homero Roman, a longtime but undocumented U.S. resident who was deported to Mexico after a traffic stop at age 27. Struggling to adjust in an unfamiliar country, Homero eventually tried to return to his home of two decades. He disappeared in Brooks County. When another man, Juan Maceda, goes missing, his family also turns to Eddie, describing a familiar predicament in Mexico—a choice between lifelong poverty or gang affiliation that compels migrants like Juan to cross the border. Follow Eddie as he engages with border patrol agents to unlock the mysteries and confront the agonizing facts of life and death in a South Texas town many miles north of the border.
This intimate portrait dives into the heart of America’s opioid crisis through the reentry of three mothers imprisoned for drug-related crimes. As the women prepare to rejoin their families after years of incarceration, they enter an innovative prison program in Cleveland, Ohio where they lean each other to learn the skills it will take to get a job, stay sober, and win the trust of their kids. After facing alienation and addiction, the women begin to see the promise of reunion and redemption.
In the midst of a crowded, patriarchal news landscape, the reporters with Khabar Lahariya – India’s only all-female news network – are taking it upon themselves to cover their country’s inequities with unflinching and intrepid determination. Armed only with their smartphones, these fearless journalists roam the state of Uttar Pradesh, exposing the country’s extremist hardline nationalist leadership, rape culture, and rampant corruption that victimizes those without voice or power.
They investigate the incompetence of the local police force, listen to and stand by victims of caste and gender violence, and challenge long-standing, harmful practices that lead to injustice and intimidation. Writing with Fire follows this ambitious group of Dalit women—led by their chief reporter, Meera, one of the undaunted women from India’s lowest caste behind Khabar Lahariya.
As the team switches from print to digital in order to stay relevant, they harness the power of online media and YouTube to reach audiences far beyond the confines of their social standing in order to broadcast abuses of patriarchy and government malfeasance. Their awe-inspiring efforts to redefine traditional notions of power, be it on the frontlines of India’s biggest issues or within the conﬁnes of their homes, are redeﬁning what it means to actually be powerful.
San Francisco’s Lowell High, one of the best public schools in the country, draws high achievers—nearly 70% Asian Americans—from across the city into a fiercely competitive universe.
The camera follows seniors through the hallways and into classrooms as the pressure intensifies to impress admissions officers at elite universities with their report cards, test scores, and overall awesomeness.
The students proudly own their identity as nerds and tell their stories with candor and humor despite the stress. The film asks: How do these kids define their identities outside of acceptance letters?